मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Saturday, March 03, 2012

Choli Ke Peeche Kya Hai? Heart or Onions, Silicone, Wonderbra...?

Naomi Wolf:

"So, a new generation of women will not have access to critical government studies that would otherwise confirm the overwhelming evidence of the health problems associated with silicone implants. Why is it always women who are treated as guinea pigs and their bodies like lab rats'? I guess because there is a cultural assumption, which, in effect, the UK government deployed last week in public, that women deserve no accountability, especially if you can blame the issue on their "vanity"."

The Daily Mail, UK Feb 17 2012:

"after almost fifty years since her death, Marilyn Monroe has been named the Top Beach Body Of All Time.

The Hollywood actress beat ultra-slim stars including Kate Moss, Victoria Beckham and Miranda Kerr to the title, suggesting that the nation's obsession with size zero might be on the decline...

...Debenhams, which commissioned the survey, now predicts a trend towards the fuller figure and last season it reported a 58 per cent increase in sales of bust-boosting bikinis.

Sasha Nagalingham, a spokesperson for the store said: 'With the average cup size of the list going from a C to a D in just one year, they are proof that a voluptuous figure is even more desirable that ever before."

Thomas Biggs:


"The breasts are...an external symbol of a woman's gender, and we need and want that affirmation,"

Edwina Ings-Chambers:

"...At one conference, Alex Kuczynski recalls a sales rep explaining that women prefer the breast implants that look the most rounded, the most unrealistic: ”’I don’t know why, but they like the fake shape,’ the salesman says, bouncing a breast implant in his hand. It makes gentle thwack-thwack noises as it lands, bonds briefly with his sweaty palm, and lifts up with a slight sucking noise.”..."

EMILY BAZELON:

"Naomi Wolf argued that because appearance matters so much for their success — in work, love and almost everything else — women were sacrificing the gains of feminist liberation on the altar of breast implants and doomed diets."

Laurie Essig:

"This year one of the most popular gifts for many young women is a bra that makes your breasts look two cup sizes bigger by pushing them up and out and together at the same time. The bra, which costs about $60, is, my teenaged daughter assures me, something that will change her life.

Why, I ask my daughter, are she and her friends so obsessed with the size and the shape of their breasts? Does it really make them feel like better people to push and pull and pad their breasts into a shape that resembles Pamela Anderson’s first set of implants?
Why, my daughter asks, would I think that she and her friends are somehow free of being judged on their appearance? Why do people always assume that things are better for women just because they have the vote or go to college? It’s clear that there is so much more pressure on young women—especially girls like her—than ever."


The late Dev Anand was asked in year 2008: "You always used to cast beautiful actresses. Who among the present lot do you find beautiful?"

He answered: "Nobody really. All the girls today are too bold. Take a look at two of their pictures and there is nothing more left to see. A girl is beautiful only if she is innocent and vulnerable. Hasn't all that innocence and vulnerability evaporated? They wear coloured contact lenses. God, if I was acting in today's films and had to kiss an actress on her eyes, I would be turned off."

My favourite Hindi film journalist the late Devyani Chaubal (1942-1995) (देवयानी चौबळ)- and we have not had any one even close to her since- once wrote, rather naughtily and in jest, that Raj Kapoor cried in an emotional scene in Dastan (1950) because his leading lady Suraiya had stuffed her blouse with onions!

I guess silicone is not pungent at all and hence today's male actors need lots of glycerine.

It is half a century since silicone breast enlargement became available. It's still the most popular cosmetic-surgery procedure in the US and the UK.


Breasts marked for plastic surgery

courtesy: Stockbyte/Getty Images, Guardian, January 11 2012

India is very prominent on that world map.

The Times of India on January 15 2012:

"...a survey by the International Society of Aesthetic Plastic Surgery (ISAPS) points out that there were 51,000 breast augmentation surgeries in India in 2010, the seventh highest in the world. The cost of implanting a pair of silicone gel cups in India could go up to Rs 1.3 lakh, depending on the hospital and surgeon involved and the quality of the product. The ISAPS survey adds that while the average surgeon’s fee for breast implants is $3,629 in the US, in India it’s a competitive $2,405.

Kira Cochrane, Guardian, Jan 11 2012:

"...The 50-year history of breast implants had begun, a history of controversy and success. What no one knew back then was just how phenomenally popular breast augmentation surgery would become – the last available figures from the American Society for Aesthetic Plastic Surgery show it was the most popular form of cosmetic surgery in the US in 2010, with 318,123 augmentations performed...It's estimated between 5 and 10 million women worldwide have had the surgery, many for cosmetic reasons..."

It's almost like worldwide epidemic.

And things have not always gone smooth...There have been complications...such as faulty implants.

Artist: Geoff Thompson, The Spectator, January 2012